{"id":11635,"date":"2023-07-27T16:54:11","date_gmt":"2023-07-27T20:54:11","guid":{"rendered":"https:\/\/christinetassan.com\/christine-tassan-quintette\/"},"modified":"2023-11-30T10:39:09","modified_gmt":"2023-11-30T15:39:09","slug":"christine-tassan-quintette","status":"publish","type":"page","link":"https:\/\/christinetassan.com\/en\/christine-tassan-quintette\/","title":{"rendered":"Christine Tassan Quintette"},"content":{"rendered":"\t\t
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\n\t\t\t\t\tJazz and compositions<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Guitarist and composer Christine Tassan, who has become known for her gypsy jazz group and wonderful impostures (Christine Tassan and the Imposteures), adds other chords to her art. Here she comes with an inventive personal project of ten instrumental compositions: Voyage int\u00e9rieur<\/b>, launched in September 2020. The album recorded in quintet reveals jazz, electric and bebop sounds. <\/span><\/p>\n

In 2021, the album was nominated for the JUNO AWARDS, ADISQ, OPUS AWARDS and GAMIQ<\/strong> in the Jazz Album of the Year category. Quite a feat! <\/span><\/p>\n

Involved on the gypsy jazz scene for well over 20 years, Christine felt the strong urge to explore a new style, new sounds, moods, and arrangements while touring with Les Imposteures. Halfway between the guitarist’s European influences and the pulse of North American jazz, her album opens the doors to an impressionistic universe colored by intense melodies and varied rhythms that take us on a journey from bolero to swing, and from bossa to funk. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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CONTACT & BOOKING<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Booking:<\/strong> Danielle Lefebvre \u2013 Artist and concert agency<\/a><\/p>\n

Contact:<\/strong> Danielle Lefebvre<\/a><\/p>\n

Label: <\/strong> Les Productions des Imposteures<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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OUTREACH ACTIVITIES<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Workshops<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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On stage<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The musicians<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Christine Tassan - Guitar, compositions, arrangements<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This time on the electric guitar, the magical touch of Christine Tassan, seductive, energetic and melodious, does the work. Blessed with an absolutely contagious dynamism, she is one of the rare female jazz and gypsy jazz guitar soloists; and she stands out for her sensitive playing, her quiet strength, and her irresistible audacity. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Aur\u00e9lien Tomasi - Saxophone, Clarinet<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A multi-instrumentalist, composer, and arranger, Aur\u00e9lien Tomasi is the musical director of Gypsy Kumbia Orchestra, a band with whom he regularly performs in Quebec and abroad. With Sesquialtera, he offers his most accomplished musical project to date. Aur\u00e9lien has also recorded, composed, and arranged for numerous productions, from Cirque Eloize to Les Grands Ballets Canadiens. During his studies at the Universit\u00e9 de Montr\u00e9al, he obtained the prestigious Sophie Desmarais Scholarship for his participation in the Big Band as a saxophonist, clarinetist and flutist. <\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Yannick Anctil - Piano<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Developing a singular sound through the years, Yannick shows great sensitivity and unique creativity. This leads him to be involved in the Fad’azz project of the Portuguese singer Suzi Silva, which mixes fado and jazz. He plays <\/span>alongside Sergiu Popa and Olivier Babaz and performs among others at the Astral and the Outremont Theatre. His creativity brings him to participate in emerging jazz projects with drummer Fr\u00e9d\u00e9ric H\u00e9bert (l’Aube, 2019) and guitarist Jean-Michel Leblanc (Vari\u00e9t\u00e9s Narratives, 2019).<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Hugo Blouin - Double bass<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Active since 2005, Hugo Blouin’s musical trajectory is linked to the jazz and folk scenes, with some forays into songs, poetry, and contemporary music. He is actually leading the project Charbonneau ou les valeurs \u00e0 bonne place, which won the Jazz Concert of the Year Award (OPUS 2019) and the Jazz Album of the Year Award (GAMIQ 2018). He is a member of the group MAZ, (official selection at WOMEX17) and of the Trio Jonathan Turgeon (Stingray Rising Stars Award at the 2018 Montreal International Jazz Festival.) Hugo Blouin has participated in about twenty albums, as a performer, composer and director<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Maude Bastien - Drum<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Discovering the drums around age 15, Maude Bastien decided to devote herself entirely to the instrument upon beginning her college studies in music. Since then, she has enjoyed being completely involved in the exploration and mastery of her instrument. Maude\u2019s passion has allowed her to play with excellent musicians in Canada and in a few places around the world, notably in Nicaragua, Nunavik, the United States and China.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Jazz and compositions Guitarist and composer Christine Tassan, who has become known for her gypsy jazz group and wonderful impostures (Christine Tassan and the Imposteures), adds other chords to her art. Here she comes with an inventive personal project of ten instrumental compositions: Voyage int\u00e9rieur, launched in September 2020. The album recorded in quintet reveals […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-11635","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/christinetassan.com\/en\/wp-json\/wp\/v2\/pages\/11635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/christinetassan.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/christinetassan.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/christinetassan.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/christinetassan.com\/en\/wp-json\/wp\/v2\/comments?post=11635"}],"version-history":[{"count":3,"href":"https:\/\/christinetassan.com\/en\/wp-json\/wp\/v2\/pages\/11635\/revisions"}],"predecessor-version":[{"id":12094,"href":"https:\/\/christinetassan.com\/en\/wp-json\/wp\/v2\/pages\/11635\/revisions\/12094"}],"wp:attachment":[{"href":"https:\/\/christinetassan.com\/en\/wp-json\/wp\/v2\/media?parent=11635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}